Ableton GravityVerb v.2.1

Max for Live Device (.amxd file) Beyond Acoustic Emulation

Some reverbs place a sound in a room.

GravityVerb lets the room move.

It is designed for moments when a normal reverb feels too polite, too realistic, or too predictable. A drum hit can fall into a dark field. A synth can open into a glowing tail. A vocal fragment can lose its edges and become atmosphere. A single sound can turn into pressure, depth, and motion inside your Ableton session.

GravityVerb is not trying to recreate a studio, hall, plate, or spring. It gives you a synthetic space that behaves like a force. The reverb does not simply sit behind the sound. It pulls, expands, lifts, and gathers around it.

A Reverb That Feels Like an Instrument

GravityVerb is built for producers who use space as part of the composition.

Use it lightly, and it gives a sound a more physical outline. Push it harder, and it becomes a playable field of sustained tone. Feedback can turn a short source into a long luminous body. Size can make the field feel distant or close. Gravity changes the direction of the tail, making the space feel as if it is falling inward or rising away from the dry sound.

This is the kind of reverb that invites movement. It is not only for placing sounds in a mix. It is for shaping what happens after the sound begins.

Earth, Heaven, Res, Size, Feedback

GravityVerb v.2.1 gives the main controls a clearer physical feeling.

Earth gives the reverb more weight and body. It is the darker foundation of the field, useful when you want the tail to feel grounded rather than thin.

Heaven opens the brighter side of the space. In v.2.1, it also shapes the curve of the visual field, so the interface reacts with a sharper or softer sense of depth.

Res adds density and detail. It can make the reverb feel more structured, more charged, and more present around the source.

Size changes the scale of the space. The sound can feel pulled back into distance or brought closer into view.

Feedback controls how much energy remains alive inside the field. At subtle settings, it gives the tail continuity. At higher settings, it becomes a sustained atmosphere that can sit behind a track or become the track itself.

The interface follows the same idea. The radial display does not just decorate the device. It gives a visual sense of depth, glow, density, and scale, so the device feels like something you can perform with rather than simply adjust.

Built for Modern Electronic Space

GravityVerb works well when a standard reverb feels too familiar.

It can give drums an impossible room without making them small. It can place bass and synths inside a wide atmosphere while keeping a strong center. It can turn short sounds into drones, transitions, backgrounds, risers, and suspended textures. It can sit quietly in a mix, or become the main spatial identity of a track.

It fits modern electronic production where club weight and experimental listening meet. Ambient, bass music, Wave influenced sound design, drone, cinematic transitions, abstract Ableton sketches, and texture heavy production all benefit from a reverb that feels constructed rather than borrowed from a real room.

Controlled Enough to Push

GravityVerb is made to be pushed.

The feedback behavior, tone shaping, modulation, stereo width, and output protection are designed so that large spaces can stay musical. The goal is not a fragile effect that breaks as soon as it becomes interesting. The goal is a reverb that lets you search for bigger tails, deeper fields, and more dramatic space while keeping the sound usable inside a session.

Turn it down, and it behaves like a refined spatial processor.

Turn it up, and it becomes a gravity system for sound.

Availability and Licensing

GravityVerb is available as an Ableton Max for Live device via the Sellfy platform.

Existing license holders can access the latest version at no additional cost by logging into the Sellfy account used for the original purchase. Version updates are provided automatically through that account.

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v.2.1 ... Improved feedback behavior. Refined the radial interface for Earth, Heaven, Res, Size, and Feedback. Heaven now shapes the visual depth curve. Size is clarified as full visual zoom. Feedback is represented through multilayer glow. (2026/6/25)

v.1.1 ... Improved overall algorithm. (2026/5/26)

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Reverb

AethelVerb https://akihikomatsumoto.sellfy.store/p/ableton-aethelverb/

HardVerb https://akihikomatsumoto.sellfy.store/p/ableton-hardverb/

Reverse Verb https://akihikomatsumoto.sellfy.store/p/ableton-reverse-verb/

Preset Verb https://akihikomatsumoto.sellfy.store/p/ableton-reverse-verb/

Shoegazer Reverse Gate https://akihikomatsumoto.sellfy.store/p/abletonshoegazerreversegate/

HardVerb https://akihikomatsumoto.sellfy.store/p/ableton-hardverb/

Deep PlateVerb https://akihikomatsumoto.sellfy.store/p/ableton-deep-plateverb/

Deep SpringVerb https://akihikomatsumoto.sellfy.store/p/ableton-deep-springverb/

Feedback Verb https://akihikomatsumoto.sellfy.store/p/ableton-feedback-verb/

GravityVerb https://akihikomatsumoto.sellfy.store/p/ableton-gravityverb/

REcho https://akihikomatsumoto.sellfy.store/p/abletonrecho

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Akihiko Matsumoto

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